She obtained her first-level academic diploma in opera singing with highest honors and distinction from the “Vincenzo Bellini” Conservatory of Music in Palermo, under the guidance of soprano Patrizia Alba Pace, and her second-level academic diploma from the “Antonio Scontrino” Conservatory of Trapani, with highest honors, distinction, and honorable mention, under the guidance of Maestro Ugo Guagliardo.
In 2017, she was admitted to the Mascagni Opera Studio at Teatro Goldoni in Livorno for P. Mascagni‘s opera “Iris” (title role). From 2018 to 2020, she was a student of the advanced specialization course at Teatro Comunale di Bologna.
She attended masterclasses with Dr. R. G. Gazzani and with Maestros B. Frittoli, E. Mei, M. Devia, L. D’Intino, R. Barker, M. Pertusi, E. Smith, R. Frontali, L. Gallo, and C. Merritt. She also attended style and interpretation masterclasses with directors Giancarlo Del Monaco and Alessio Pizzech.
In 2022, she won First Absolute Prize at the Tebaldi Legend Competition in Parma, receiving recognition as Best Soprano. In 2018, she was a finalist in the competition for soloists at the Teatro alla Scala Academy. In 2013, she won the special prize for recognized timbral qualities at the International Opera Singing Competition “Voci del Mediterraneo – Premio Archimede VIII edition“. In 2011, she won the “POGAS, Officina Sinfonica Siciliana” competition and began collaborating with opera foundations and institutions such as the Sicilian Symphony Orchestra Foundation at the Politeama “Garibaldi” in Palermo.
At a very young age, she began her concert activity both in Italy and abroad, performing in some of the world’s most evocative sacred places: St. Peter’s Basilica (Vatican City), Palatine Chapel (Palermo), St. Mark’s Basilica (Venice), Siena Cathedral, Santiago de Compostela Sanctuary (Spain), performing the most beautiful pages of sacred repertoire: Mozart’s Requiem K 626, Fauré’s Requiem op. 48, Delibes’ Messe brève, Handel’s Dixit Dominus, Mozart’s Mass in C minor, Mozart’s Missa brevis KV 275. For the international classical music festival “Mediterraneo Sacro e Profano – Rapsodie Agresti“, she performed Pergolesi‘s Stabat Mater under the guidance of Maestro M. S. Pavan.
Regarding the operatic repertoire, she began her solo career debuting as Euridice in Gluck‘s “Orfeo ed Euridice” (cond. F. Ciulla, dir. P. Pace), and Dorabella in Mozart‘s “Così fan tutte” (cond. T. Maatouk). At Teatro Comunale di Bologna, she performed as La Ciesca in Gianni Schicchi under the direction of S. Conticello with V. Brunetti‘s staging. In 2019, she was Donna Elvira in Mozart‘s Don Giovanni at Teatro Carcano in Milan (cond. G. Montesano, dir. M. Testi).
She performed as Norma for the Night of Culture at Teatro Grande in Brescia. She represented Teatro Comunale di Bologna in Tokyo performing arias by Verdi and Puccini. In 2019, she concluded the TCBO season as cover for Nedda in Leoncavallo‘s I Pagliacci (cond. F. Chaslin, dir. S. Sinigaglia). In 2020, she performed as Kate Pinkerton in Madama Butterfly (cond. P. Steinberg, dir. D. Michieletto). In June 2022, she debuted in the role of Countess Almaviva in Mozart‘s Le Nozze di Figaro under the direction of Maestro Alberto Maniaci. In 2022 at Luglio Musicale Trapanese, she performed as Flora Bervoix in Verdi‘s La Traviata (cond. S. Veccia, dir. Salvo Piro); she debuted in the world premiere of the opera “Lu Neu – Tutturintra” (A. Scontrino, F. Correnti, S. Passantino, M. Maiorana) in the roles of Santuzza/Teresina/Statue (cond. F. Ciulla, dir. F. Lupo). At the Gigli Opera Festival 2023, she debuted as Mimì in Puccini‘s “La Bohème” (cond. R. Serenelli).
In the 76th season of Ente Luglio Musicale Trapanese, she performed as Liù (cover) in Puccini‘s “Turandot” with direction by Daniele De Plano and conducted by Manuela Ranno, and as Clorinda in Rossini‘s “La Cenerentola” directed by Renato Bonajuto and conducted by Mirco Reina.
For the Scontrino Festival 2024, at Teatro “Giuseppe Di Stefano” she performs as Cio Cio San in “La Primavera di Butterfly” on the occasion of the centenary of G. Puccini’s death (cond. C. Magni, dir. M. Carosi).
